Michael by me, me by Michael

Michael Snoek and his wife Dorothee have been family friends since I was a small boy. He was working as a geophysicist in Hamburg when I passed through as a teenage runaway, and he was kind enough to get me a life-changing job with the Max Planck Institut that took me off to live and work in Greece and Morocco as a geo-electrical surveyor. Some years later they moved to Ireland and Michael became very involved with photography and being one of the three founders of the Kamera 8 gallery in Wexford. He’s just launched his fantastic new site, link here.

Much like myself, Michael is not half as stern as he sometimes seems in photographs.

Michael Snoek, photographed at home in Wexford, July 2020.

I think I was about nine when Michael took this picture of me.

You can see more of my portraits of friends and family here.

Culture Night 2022

Two of my five photographs that will be exhibited on September 23rd as part of the Íova Group Culture Night exhibition in Studio Ex, 72 Francis Street, D.8. This year the theme is Countercultures, with a focus on subcultures and the experiences of minorities. #CultureNight2022

Asleep 4, Paris

Asleep 3, Paris

Three Exhibitions

It’s the last chance to see the three exhibitions in Dublin which are currently showing my work: the RHA Annual and Photo Ireland On Portraiture close this Sunday the 24th, and the SO Fine Art Editions show Still closes on July 30th. It’s been a good month.

Jonathan

Jonathan Philbin Bowman ( 1969-2000) photographed for Harpers & Queen magazine, mid 90’s.

My friend Jonathan Philbin Bowman, journalist and broadcaster, who died on this day twenty-two years ago.

He was such great company - precocious, quick-witted, argumentative, hilarious and utterly original. I’ve never met anyone quite like him, and still miss him a lot.

You can hear his voice in this beautiful, moving tribute by Roger Doyle, who took an answering machine message Jonathan had left him and set it to music.

Coat-Hanger Kisses

The portrait was made for a profile in Harpers & Queen magazine written by Sean O’Hagen, and you can see a print of it in the Little Museum of Dublin’s collection.